Showing all 11 results

Node Stripes Vase

220 

Intertwined shape, flowing lines, soft porcelain – the ingredients for the new vase of the Rosenthal Studio-line are simple, the result is beguiling. Designer Martin Hirth, one of the most acclaimed German newcomers of recent years, applies a typical design principle to the form of his new Node design for Rosenthal: Movement and the merging and transformation of the familiar run like a thread through the designer’s product portfolio. In “Node”, Hirth literally pours this principle into a voluminous, geometric knot shape and creates a vase that seems more like a sculpture than a utilitarian object. A design criterion that unites all vases in the legendary Rosenthal Studio-line.

Node Vase

1,375 

Intertwined shape, flowing lines, soft porcelain – the ingredients for the new vase of the Rosenthal Studio-line are simple, the result is beguiling. Designer Martin Hirth, one of the most acclaimed German newcomers of recent years, applies a typical design principle to the form of his new Node design for Rosenthal: Movement and the merging and transformation of the familiar run like a thread through the designer’s product portfolio. In “Node”, Hirth literally pours this principle into a voluminous, geometric knot shape and creates a vase that seems more like a sculpture than a utilitarian object. A design criterion that unites all vases in the legendary Rosenthal Studio-line.

Node Vase

1,190 

Intertwined shape, flowing lines, soft porcelain – the ingredients for the new vase of the Rosenthal Studio-line are simple, the result is beguiling. Designer Martin Hirth, one of the most acclaimed German newcomers of recent years, applies a typical design principle to the form of his new Node design for Rosenthal: Movement and the merging and transformation of the familiar run like a thread through the designer’s product portfolio. In “Node”, Hirth literally pours this principle into a voluminous, geometric knot shape and creates a vase that seems more like a sculpture than a utilitarian object. A design criterion that unites all vases in the legendary Rosenthal Studio-line.

Falda Vase

1,750 

Vase with a classic shape and a particular pleated collar, entirely made of porcelain, designed by Sebastian Herkner for Rosenthal.

Skum Vase

1,580 

The vase »Skum« (Danish: foam) from the architectural firm BIG is based on a pavilion inflatable that the Danish architect Bjarke Ingels designed in 2016 for the brewery Tuborg. Like soap bubbles, the spheres of very fine porcelain come together and melt to form an object full of character that stands out in any interior.

Squall Vase

1,215 

Squall vases remind of turbulent whirlpools or of hurricanes. The asymmetric shape of these magnificent table accessories by Rosenthal Studio-Line nicely links the modern design with the volatility of the nature. How tremendously beautiful the energy is captured and fixed in the elegant Fast vases designed by Ragot!

Paper bag vase

265 

Originally designed in the 1970s by Tapio Wirkkala, Finland’s most famous product designer, the paper bag vase takes an otherwise pedestrian object and turns it into a thing of beauty and wit. We’re thrilled that Rosenthal—the German porcelain company who Wirkkala originally designed the vase for, has continued production of this timeless objéct.

Style it with a tulip or two, or on a bookshelf sans buds. It’s just as great on its own as it is a vessel for fresh cut flowers.

Paper bag vase

260 

Originally designed in the 1970s by Tapio Wirkkala, Finland’s most famous product designer, the paper bag vase takes an otherwise pedestrian object and turns it into a thing of beauty and wit. We’re thrilled that Rosenthal—the German porcelain company who Wirkkala originally designed the vase for, has continued production of this timeless objéct.

Style it with a tulip or two, or on a bookshelf sans buds. It’s just as great on its own as it is a vessel for fresh cut flowers.

Paper bag vase

230 

Originally designed in the 1970s by Tapio Wirkkala, Finland’s most famous product designer, the paper bag vase takes an otherwise pedestrian object and turns it into a thing of beauty and wit. We’re thrilled that Rosenthal—the German porcelain company who Wirkkala originally designed the vase for, has continued production of this timeless objéct.

Style it with a tulip or two, or on a bookshelf sans buds. It’s just as great on its own as it is a vessel for fresh cut flowers.

Paper bag vase

230 

Originally designed in the 1970s by Tapio Wirkkala, Finland’s most famous product designer, the paper bag vase takes an otherwise pedestrian object and turns it into a thing of beauty and wit. We’re thrilled that Rosenthal—the German porcelain company who Wirkkala originally designed the vase for, has continued production of this timeless objéct.

Style it with a tulip or two, or on a bookshelf sans buds. It’s just as great on its own as it is a vessel for fresh cut flowers.

La Chute Vase

1,100 

Following on from the Fast, Squall and Blown vase designs, La Chute captures the utopian concept of freezing a movement in time. Two vase bodies melt like wax without entirely losing their shape and contours. In a manner that is simple yet precise, the design explores not only the plasticity of materials at the point where space, time and substance collide, but also the concepts of creation and infinity.